The Decomb package plugin functions for Avisynth provides the means for removing combing artifacts from telecined progressive streams, interlaced streams, and mixtures thereof. Functions can be combined to implement inverse telecine (IVTC) for both NTSC and PAL streams.
The term “combing” is used as a general term versus “interlacing” because interlacing is usually associated with nonprogressive streams. What look like interlacing artifacts can be seen on telecined progressive streams, so I use the term combing to refer to all such artifacts, regardless of the type of the stream.
The package automatically adapts to any telecine/capture patterns, e.g., 3:2 NTSC or 1:1 PAL, and mixtures thereof, although if you want to decimate the recovered progressive stream, you have to specify the desired decimation ratio. The recovery process is completely modeless (patternless) and does not rely on any fixed telecine patterns or phasing. None of the functions introduce a delay in the audio or video streams.
Decomb Plugin 3.6.0.0 License Key Free Download
a) Decomb and Decomb I create a linear progressive or interlaced telecine stream. As the name suggests, this is the inverse telecine. The term “telecine” usually refers to a 2:3 or 2:2 conversion of progressive video to a standard NTSC ratio. The term “interlaced” refers to the fact that the image is scanned, first row by row, then column by column, and lines are interleaved. Interlaced video has a 50/50 ratio of the lines from odd to even lines and from top to bottom. Video is interlaced in many older video formats, and in telecine progressive formats, the progressive lines are interlaced.
b) Decomb II and Decomb III are the same as Decomb and Decomb I but for nonlinear telecine. This telecine technique is less commonly used because the artifacts are sometimes more evident. The methods are less accurate in nonlinear telecine, but they can generate a progressive stream and can be easier to use.
c) Decomb III and Decomb IIII use chroma subsampling to divide the pixels into 4 pixels, rather than 3, for the purpose of preserving the chroma signal. This is an adaptation of the technique used in the multiplex 2:1 NTSC to PAL telecine used in many camcorders. The standard telecine conversion uses 3:2 subsampling.
d) Decomb IV is the inverse of Decomb I. It applies filters on top of the input video and removes the combing artifacts.
e) Decomb IS and Decomb ISI are equivalent to Decomb I and Decomb II except that instead of reducing the number of pixels, they combine two channels in a way that preserves the chroma information but reduces the number of pixels. For example, the chroma is encoded in one channel and the luminance is in the other channel. The two channels are combined and decimated in a modeless way to produce the final video. The two channels can be combined because the motion information in each chroma channel is the same as the luminance channel.
f) Decomb IIs and Decomb ISs are equivalent to Decomb I and Decomb II, except that they do not subsample the pixels. This means that the chroma subsampling is reversed.
g) Decomb IIIs and Decomb IIIs are equivalent to Decomb III and Dec
Decomb Plugin 3.6.0.0 PC/Windows
– One or more files are decimated (which generally means “cut the duration by a factor of 1”), often resulting in a single, “stretched” file.
– A number of simple filters are applied to the frames of the decimated file, e.g., de-interlacing.
– The number of decimated output files can be unlimited (just specify a 0), or be restricted to a finite number.
– The decimated output files can be written to disk, e.g., by a simple VOBWrite command, or saved to a network share, e.g., by a simple VOBWriteNet command.
– All decimation specifications are optional; but if you specify a filenumber of -1, the command will attempt to decimate to the very last recovered frame.
– The number of frames for each decimated file can be unlimited (0), can be limited to a finite number, or can be specified automatically (e.g., number of frames = lastframe of the input file).
– Filenames can be specified, or automatic naming can be used.
– Filenames can be modified by numeric or alphanumeric wildcards.
– Filenames can be given from the VOB, the command line, or a script file.
– Filenames can be given from the command line or from a script file (e.g., just call “AVISYNTH_DECOMB_FILENAME”.
– Filenames can be absolute, relative, or relative to the VOB root folder.
– Filenames can be given in the form “file_name.VOBextension”.
– Filenames can be given from a network share (e.g., “file_name.VOBextension”) or from the command line (e.g., “file_name.VOBextension”).
– Custom waveform or color bars can be shown on the monitor.
– Filenames can be given from the command line.
– Filenames can be generated in the interactive mode.
– Filenames can be given from the command line or from a script file.
– Filenames can be given from the command line or from a script file.
– The number of decimated output files can be unlimited (0), can be restricted to a finite number, or can be specified automatically (e.g., number of files =
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Decomb Plugin 3.6.0.0 Crack + [Mac/Win]
– If the stream is deinterlaced, combing artifacts are removed if the deinterlacing method doesn’t get interrupted. An image is reconstructed if the deinterlacing is interrupted by a single horizontal or vertical line.
– If the stream is progressive, combing artifacts are removed if the combing method isn’t interrupted. An image is reconstructed if the combing is interrupted by a single horizontal or vertical line.
– If the stream is interlaced, combing artifacts are removed if the combing method doesn’t get interrupted. An image is reconstructed if the combing is interrupted by a single horizontal or vertical line.
– If the stream is progressive with a PAL video overlay, combing artifacts are removed if the combing method isn’t interrupted. An image is reconstructed if the combing is interrupted by a single horizontal or vertical line.
– If the stream is progressive with a NTSC video overlay, combing artifacts are removed if the combing method doesn’t get interrupted. An image is reconstructed if the combing is interrupted by a single horizontal or vertical line.
– If the stream is progressive with a PAL video overlay and is reversed, combing artifacts are removed if the combing method doesn’t get interrupted. An image is reconstructed if the combing is interrupted by a single horizontal or vertical line.
– If the stream is progressive with a PAL video overlay and the videocrypt is enabled, the combing artifacts are removed if the combing method isn’t interrupted.
– If the stream is progressive with a PAL video overlay and the videocrypt is disabled, the combing artifacts are removed if the combing method doesn’t get interrupted.
– If the stream is progressive with a NTSC video overlay, combing artifacts are removed if the combing method doesn’t get interrupted.
– If the stream is progressive with a NTSC video overlay and the videocrypt is enabled, the combing artifacts are removed if the combing method isn’t interrupted.
– If the stream is progressive with a NTSC video overlay and the videocrypt is disabled, the combing artifacts are removed if the combing method doesn’t get interrupted.
– If the stream is progressive with a PAL video overlay, combing artifacts are removed if the combing method doesn’t get interrupted.
– If the stream is progressive with a PAL video overlay and the videocrypt is enabled, the combing artifacts are removed if the combing method doesn’t get interrupted.
– If the
What’s New In Decomb Plugin?
Decomb filters out combing artifacts for progressive streams that are telecined using the Avisynth 16:9 (4:3) output frame pattern. It is the first deconvolution method that works reliably for progressive telecined streams.
The most important characteristics of the decomb method are that it deconvolves the telecine filter for both horizontal and vertical components simultaneously, unlike other inverse telecine methods which deconvolve the telecine filter for the current component only. These are described in the Avisynth 16:9 (4:3) telecine filter section of the Avisynth 16:9 (4:3) telecine article.
The decomb method also works perfectly for any ratio of 2:1 or higher, interlaced NTSC or PAL TV, and composite (CVBS) streams with a progressive content component and a progressive or interlaced component. The function is designed for both NTSC and PAL systems with telecine ratios of 3:2 or 1:1.
Unlike many other inverse telecine methods, the decomb method does not require any fixed phase shifts or the exact pattern used in Avisynth. All that is required is to use the exact same output frame pattern as Avisynth uses (like for example with Sorenson 4:3). This will be the case for most capture patterns for progressive AV streams as most DV, DVCAM and WMV encoders use the Avisynth 16:9 (4:3) frame pattern.
The decomb filter must be applied before any other decimation. The filter is applied to the progressive stream prior to the decimation process so that the decomb filter is run at the same point in time as the decimation process. The filter may be run as a parallel plugin to any decimation process.
Variables:
The decomb plugin supports the following variables:
%s_playback_index
This variable specifies the index of the Avisynth frame that will be used to recover the progressive stream. The first frame in a progressive stream is 1, the second frame is 2, the third frame is 3, etc. The variable must be of type string.
%s_decimate_index
This variable specifies the index of the Avisynth frame that will be used to decimate the progressive stream. This can be one frame more than %s_playback_index to avoid overlap between the decomb filter and the decimation process. The variable must be of type string.
%s_frame_size
The variable specifies the frame size in pixels for both the input and output streams. The filter can operate on any input frame sizes, but only output frames of size %s_frame_size are decimated. The variable must be of type integer.
%s_
System Requirements For Decomb Plugin:
Windows
Mac OS X
Minimum 1024 x 768 resolution
Minimum 1.8 GHz dual-core processor
1 GB of RAM
0.3 GB free hard disk space
Internet Explorer 9, Chrome 14+, Firefox 5+ and Safari 5+
For the best gaming experience, you should also have a DirectX-compatible graphics card and a minimum of 1 GB of RAM.
AED
$39.99 USD
PlayStation®3, PlayStation®4, Xbox One
Minimum 16 GB (PS3) and
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